Hill's dual-threat presence, Jean's booming toasts, and Pras' knotty rhymes made Fugees a shining example of balance The Score's sonic palette, which honored the New York area's then-burgeoning underground through precise use of massive hits and crate-dug gems, made the group's second album a key part of hip-hop's 1990s explosion.Attention, attention, c'est le vol international Refugee Camp Viens donc voir Lauryn, Praswell, Wyclef. The former allowed her to show off her reference-packed, thoughtful MC skills, while the latter established her rich, confident alto as one of R&B's great voices. 'Ready or Not,' which flipped a late-'60s single by the Philly soul outfit The Delfonics into a rallying cry for Black music, and 'Killing Me Softly With His Song,' a boom-bap-propelled cover of the ode to musicians made famous by Roberta Flack in the early '70s, both defined late-'90s hip-hop and turned Hill into one of its biggest female stars.

(If you use the intricate, incisive rhymes the trio casts across The Score as a predictor, the answer is 'a lot.')Р В РІР‚СњР В РІР‚РЋugees' take on the swaggering yet claustrophobic sonics of '90s East Coast hip-hop give The Score a charge that remains electric decades later, as the boastful 'Fu-Gee-La' and the hazy title track prove. Its lyrics are pointed and political, while also being laced with wit: 'How many mics do we rip on the daily?' Hill and Jean crow on 'How Many Mics,' the album's first proper song. The homespun hip-hop production on The Score gives it a vibe not unlike a lengthy listening session with friends, complete with running gags that bust up the room its sample list includes hooks from classic soul sides and sound-system-worthy beats, as well as bits borrowed from Enya, Francisco TР В РІР‚СљР В Р вЂ№rrega, and The Moody Blues.

The album that came out of that cellar, 1996's The Score, became one of the defining hip-hop albums of the '90s and launched Jean and his bandmates Lauryn Hill and Pras to stardom. When the New Jersey hip-hop trio Fugees regrouped to record their second album, they went underground-to the basement of Wyclef Jean's uncle, which was transformed into a recording studio and rechristened as the Booga Basement.

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